Jimi Hendrix
Instrumental Verse
Verse 1:
---------------Em (2) ---------------G (2)
Well she’s walkin’ through the clouds
--------Am (2) -----------------------Em7 (2)
With a circus mind that’s running wild.
Bm (1½) ------------Bb (½) Am (1) --------C (1)
Butterflies and zebras and moonbeams, and fairy tales
G (1) --------------Fadd9 (1) ---C (1) ------------D (4)
That’s all she ever thinks about, riding with the wind
Verse 2:
------------Em (2) ------------G (2)
When I’m sad, she comes to me
--------Am (2) ------------------------Em7 (2)
With a thousand smiles she gives to me free.
Bm (1½) -----------Bb (½) Am (1)
It’s alright she says, it’s alright
-----C (1) ----------G (1) ------Fadd9 (1) ---C (1) ----D (4)
Take anything you want from me................Anything Anything
Instrumental Verse x2
Wednesday, July 23, 2008
Chords - Little Wing
Chords and Tabs - Smoke on The Water
/ G - - - / - - - - /
We all came out to Montreux on the
/ - - F - / G - - - /
Lake Geneva shoreline
/ G - - - / - - - - /
To make records with a mobile
/ - - F - / G - - - /
We didn't have much time
/ G - - - / - - - - /
Frank Zappa and the Mothers
/ - - F - / G - - - /
Were at the best place around
/ G - - - / - - - - /
But some stupid with a flare gun
/ - - F - / G - - - /
Burned the place to the ground
Chorus:
/ C - - - / Ab - - - / G - - - / - - - - /
Smoke on the water, and fire in the sky
/ C - - - / Ab - - - /
Smoke on the water
Riff x2
/ G - - - / - - - - /
They burned down the gambling house
/ - - F - / G - - - /
It died with an awful sound
/ G - - - / - - - - /
The funky Claude was running in and out
/ - - F - / G - - - /
Pulling kids outa the ground
/ G - - - / - - - - /
When it all was over
/ - - F - / G - - - /
We had to find another place
/ G - - - / - - - - /
But Swiss time was running out
/ - - F - / G - - - /
It seemed that we would lose the race
Chorus
Riff x2
Chorus
Riff x2
Moody Blues - Night's in White Satin Isle Of Wight Festival
Night In White Satin Lyric
Nights in white satin never reaching the end
Letters I've written never meaning to send
Beauty I'd always missed with these eyes before
Just what the truth is I can't say any more
'Cause I love you yes I love you oh how I love you
Gazing at people some hand in hand
Just what I'm going through they can't understand
Some try to tell me thoughts they can not defend
Just what you want to be you will be in the end
And I love you yes I love you oh how I love you
Oh how I love you
Nights in white satin never reaching the end
Letters I've written never meaning to send
Beauty I've always missed with these eyes before
Just what the truth is I can't say any more
'Cause I love you yes I love you oh how I love you oh how ooh
'Cause I love you yes I love you oh how I love you oh how ooh
Breathe deep the gathering gloom
Watch lights fade from every room
Bed sitter people look back and lament
Another day's useless energy is spent
Impassioned lovers wrestle as one
Lonely man cries for love and has none
New mother picks up and suckles her son
Senior citizens wish they were young
Cold-hearted orb that rules the night
Removes the colors from our sight
Red is grey and yellow white
But we decide which is right
And which is an illusion
Song Notes : "The Moody Blues recorded this with The London Festival Orchestra (Which never actually existed. It is the name given to the musicians put together to make this album.) The original idea was for the group and orchestra to record a Rock version of Dvorak's "New World Symphony," which their record company would use to demonstrate enhanced stereo sound technology"
This was written by Justin Hayward, who joined the band the previous year. He got the idea for the song after someone gave him a set of white satin sheets, and wrote it in his bed-sit at Bayswater. Haywood told the Daily Express Saturday magazine May 3, 2008: "I wrote our most famous song, 'Nights in White Satin' when I was 19. It was a series of random thoughts and was quite autobiographical. It was a very emotional time as I was at the end of one big love affair and the start of another. A lot of that came out in the song."
"Justin Hayward sold the rights to the song to Lonnie Donegan for a small sum of money, hence Hayward made nothing from it"
Justin Hayward was inspired by Moody Blues keyboard player Mike Pinder's composition "Dawn Is A Feeling." Since Pinder had done 'The Morning' for the concept album, Hayward tried to do 'The Night.' (thanks to Terry Parsons, who interviewed Hayward in 2006 for CHMR FM)
This was a new sound for the band. When they formed, they were more of a Blues band, and had a hit in 1965 with a cover of Bessie Banks' "Go Now." With this album, they became more of a psychedelic/orchestral band and did very well
"This was originally released in 1967, but it didn't do very well in the US because the song was over 6 minutes long and a lot of people never heard of the band. In 1972, after songs like "Hey Jude " and "Layla" paved the way for long, dramatic songs and the band became well known, this was re-released in the US and became a hit"
"Even though this didn't have chart success when it was first released, the album did very well. It was commercially successful in countries across the world, staying on many charts for nearly two years"
